second meeting Saturday, December 2 in Colle Umberto (TV) for the festival of experimental music CHANGES .
At 21.30 this time will go up on stage in Da Pont in a drum solo, followed by the group Anatrofobia.
See you there!
ANA TROFIE BIA www.anatrofobia.com Tesa marginal music since 1990.
Out of artistic itineraries official, the group is looking for a truly personal musical language.
The starting point in its instrumental tradition is that of independent rock.
improvisational attitude, the practice of composition, the search for structures that are not idiomatic but those are not typical of Western popular music: nowhere are the models of the riff, the song, thematic improvisation, melodic variation, the actual tonal , the rhythmic monotony.
Anatrofobia play a continuous motivic variation, saturation and rarity, diversity plans, asymmetries, the polyrhythm, the simultaneous timing, the timbre, the continuous deepening and refinement of their musical ideas in a constant revision and call into question the results previously achieved.
Anatrofobia verbiage is far from progressive aphasia by the virtuosity of some contemporary jazz, from the passing trends of the post-rock and jazz-core.
The horizon is that of a pure music, essential, and secularly spiritual, in a constant dialectic between rules and chance, order and chaos, silence and noise, modernity and tradition. Tesa
marginal music, yet in 2006.
Biondello Andrea: Drums
Cartolari Alessandro: alto saxophone and electronics
Cartolari Luca: Bass guitar
IN DA PO NT
He studied classical percussion, focusing, then, his interests
to the battery and studying with Master Enrico Lucchini (one of the best specialists of the instrument in Italy). He attended school so many heads of international fame such as Elvin Jones, Kenny Clarke and G. Burton.
He has been busy teaching, teaching in many cities of northern Italy and still holds workshops and lectures on improvisation musical concert for children and for children and adults.
This evening will present his solo work "The Bior that" sort of journey to re quest to find his deepest self, where the instrument becomes capable of revealing aspects of the closest and secrets .. The influences of the masters ( Tic Professor, dedicated to Max Roa ch, For Monck or sail, or May to Elvin Jones) but also a taste of mixing game in the trial, the fun at risk, but already the daily rituals make this solid, stable performance ro special. The battery ( but also the trumpet, voice or whistles) give off a breath rit Mico "natural."
