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Saturday, November 18: Improvvirusoundexperience and Papiers Colles

Starts Saturday, November 18 the show with the orchestra CHANGES impro-free-jazz-rock IMPROVVIRUSOUNDEXPERIENCE and video-electro-drums trio PAPIERS COLLES.
not miss it!
Following a brief presentation of the two groups.

IMPROVVIRUSOUNDEXPERIENCE

Formation from a constituent thirteen elements from diverse musical. Collectivism or has made us rca a year and seeks to work across, beyond the boundaries of improvised music indistinguishable between deriv action jazz, rock and electronics, without disdaining interference in the field of contemporary music porary and theatrical soundtracks. The staff performs to its full fielding two batteries, one electric bass, electric guitar, a piano , low t uba, a baritone sax, two tenor sax, an alto sax, a trumpet and a trombone. The different ideas on improvisation, and their explicit performative is the strength of this group coagulant heterodox and non-conventional.

Flavio Zanuttini - Leo Virgili
trumpet - trombone
Davide Lorenzon - alto sax
Efrem Silan - tenor Carlo
Ponara - tenor sax
Ivan Pilat - baritone sax, trumpet
Marco Giubini - tuba
Tush - electric guitar, effects
Federico De Pizzol - electric piano
Cuzzuol Andrea - bass Joshua Poss
- drums, percussion
Yannick Da King - drums, trombone
Zandonella Cris- -phonic

PAPIERS COLLES

Papiers Colles is an art project created in 2004 with the intent to live apart in different aesthetic and chronological time, the group is composed by Lorenzo Commisso (digital sound), Stefano Giusto (percussion) and Alan De Cecco (video). Papiers Colles
I turn fragments of classical music in new compositions and unrecognizable, anagram of music that are an interesting reflection on the potential of sound.
Action (drums) and static (digital sound) are contrasted in the performance, as well as the cultures they come from, jazz and electronica.
The project uses very different aesthetic elements Freedom in order to call into question the conceptual habits of common sense, playing on what is real and what is not trying to point out the various nuances and possibilities of reflection given to us by the technical reproducibility that characterizes our contemporary artistic benefit.